Advanced Typography-Task 3: Type Exploration and Application
18.10.2023- 21.11.2023/Week 8- Week 13
Kelly Lau Jie Ning/ 0354839
Advanced Typography/ Bachelor of Design (Honours) in Creative Media
Task 3: Type Exploration and Application
INSTRUCTION
Task 3: Type Exploration and Application
In this task, we have three opinions for choosing what we want to do which
are:
1. Create a font that is intended to solve a larger problem or meant to be
part of a solution in the area of our interest be it graphic design,
animation, new media or entertainment design, or any other related area not
necessarily reflecting our specialization. End result: a complete generated
font (.ttf) with applications.
or
2. Explore the use of an existing letterform in an area of interest,
understand its existing relationship, identify areas that could be improved
upon, and explore possible solutions or combinations that
may add value to the existing letterform/lettering. End result: a complete
generated font (.ttf) with applications.
or
3. Experiment. For our idea to qualify as an experiment, it must be novel and
unique — working with material that might be 3- dimensional, digitally
augmented, edible, unusual, typographic music video, or fine art. End result:
defined by the student.
1. Proposal
First of all, I came out with three ideas for doing this task. The idea that I
chose is the first one.
Fig 1.1 Proposal, PDF, Week 8 (18.10.2023)
2. References
I tried to find some futuristic-looking fonts on Pinterest as my references.
Fig 2.1 References from Pinterest, JPG, Week 8 (20.10.2023)
3. Progress on Adobe Illustrator
I have tried to do my work in Adobe Illustrator.
Fig 3.1 Failed work, JPG, Week 9 (25.10.2023)
Unfortunately, my first work are all wrong so I redo it.
This is my second work. I redo all my font.
Fig 3.2 second work, JPG, Week 9 (28.10.2023)
Fig 3.3 Outline of the work, JPG, Week 9 (29.10.2023)
This is my third work. I tried to make the font better. It is also my final
work before turning it into Fontlab.
Fig 3.4 Third work in Adobe Illustrator, JPG, Week 10 (1.11.2023)
3. Kerning progress in Fontlab
I put all my work from Adobe Illustrator to Fontlab.
Fig 4.1 Font in Fontlab, JPG, Week 11 (8.11.2023)
I tried to manage the kerning for each letter, number, and punctuation.
Fig 4.2 Kerning progress, JPG, Week 12 (15.11.2023)
4. Font Presentation
I also did font presentation in Adobe Illustrator.
Fig 5.1 doing font presentation in Adobe Illustrator, JPG, Week 13
(22.11.2023)
Final outcome
Press the link
to download the font
Fig 6.1 The final design of the font, JPG, Week 10 (1.11.2023)
Fig 6.2 The final design of the font, PDF, Week 10 (1.11.2023)
Font Presentation
Fig 6.3 Final font presentation #1, JPG, Week 13 (15.11.2023)
Fig 6.5 Final font presentation #3, JPG, Week 13 (15.11.2023)
Fig 6.7 Final font presentation #5, JPG, Week 13 (15.11.2023)
Fig 6.8 Final font presentation #1, #2, #3, #4 & #5, PDF, Week 13
(15.11.2023)
5. Applications
Based on my proposal, my purpose for doing this font is to promote the group
"Aespa". So I did so mockup for posters, billboards, and also some merch.
Final outcome
Fig 7.1 Application of poster, JPG, Week 13 (15.11.2023)
Fig 7.2 Application of tote bag, JPG, Week 13 (15.11.2023)
Fig 7.6 All application design, PDF, Week 13 (15.11.2023)
FEEDBACK
Week 9
General Feedback:
-do letter H, O, A, and M
Specific Feedback:
-Need to think about the type font for the band for doing promotion or doing their application
Week 10
General Feedback:
Specific Feedback:
-The letters are too complex
-Need to use grids to do the letters
Week 11
General Feedback:
Specific Feedback:
-Need to change some of the parts
-the stroke needs to be the same degree
Week 12
General Feedback:
Specific Feedback:
-Need to do the work faster
Week 13
Absent
Week14
General Feedback:
Specific Feedback:
-Try to submit your e-portfolio today
Specific Feedback:
-Try to submit your e-portfolio today
REFLECTION
Experience
The experience of exploring diverse typefaces and understanding their nuanced characteristics has been particularly enlightening. Each font seemed to carry its own unique personality, eliciting specific emotions and responses. Navigating through the sea of serifs, sans-serifs, and display fonts provided me with a profound appreciation for the artistry embedded within typography.
Observations
I noticed how subtle adjustments in letter spacing, line height, and font weight can dramatically impact the overall aesthetic and legibility of a text. Experimenting with leading and kerning underscored the precision required in typography, emphasizing that seemingly minor adjustments play a major role in achieving visual harmony.
Findings
Findings from this task underscored the importance of hierarchy and consistency in effective type application. Crafting visual hierarchies through font weights, sizes, and styles emerged as a powerful tool in guiding viewer attention and facilitating a seamless reading experience. Consistency in type application across various design elements emerged as a key principle, contributing to cohesive and visually pleasing compositions.
FURTHER READING
Fig 4.1 The Vignelli Canon written by Massimo Vignelli
Pragmatics-Whatever we do, if not understood, fails to communicate and is wasted effort.
-Sometimes it may need some explanation but it is better when not necessary.
Discipline
- The attention to detail requires discipline.
-Every detail is important because the end result is the sum of all the details involved in the creative process no matter what we are doing.
-Discipline is a set of self imposed rules, parameters within which we operate.
-Discipline is also an attitude that provides us with the capacity of controlling our creative work so that it has continuity of intent throughout rather than fragmentation.
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